Intonation Phrases in Phonetics

Intonation Phrases in Phonetics In phonetics, an intonation phrase is a stretch (or chunk) of spoken material that has its own intonation pattern (or tune). Also called an  intonation group, phonological phrase, tone unit, or tone group. The intonation phrase (IP) is the basic unit of intonation. In a phonetic analysis, the vertical bar symbol (|) is used to represent the boundary between two intonation phrases. Examples and Observations When speakers produce words in a row, we can usually observe that they are structured: individual words are grouped together to form an intonation phrase... Intonation phrases can coincide with breath groups..., but they do not have to. Often a breath group contains more than one intonation phrase. As with all other phonological units, it is assumed that speakers have a mental representation of intonation phrases, i.e. they know how to produce speech structured into intonation phrases and they rely on this knowledge when listening to the speech of others. Within an intonation phrase, there is typically one word that is most prominent... Some utterances might contain just one intonation phrase, others might contain several of them. Moreover, speakers can put utterances together to form larger stretches of speech or discourse... Intonational phrasing in English can have a meaning-distinguishing function. Consider utterances 11a and 11b: (11a) He washed and fed the dog. (11b) He washed | and fed the dog. If the intonation phrase He washed and fed the dog is produced as one intonation phrase, its meaning is that a person both washed and fed a dog. Conversely, if the same utterance is produced as a sequence of two intonation phrases with an intonation boundary after washed (indicated by the symbol |), the meaning of the utterance changes into someone who washed himself and fed a dog. (Ulrike Gut, Introduction to English Phonetics and Phonology. Peter Lang, 2009) Intonation Contours Intonation often does serve to convey information of a broadly meaningful nature . . .. For example, the falling pitch we hear at the end of a statement in English such as Fred parked the car signals that the utterance is complete. For this reason, falling intonation at the end of an utterance is called a terminal (intonation) contour. Conversely, a rising or level intonation, called a nonterminal (intonation) contour, often signals incompleteness. Nonterminal contours are often heard in the nonfinal forms found in lists and telephone numbers. (William OGrady et al., Contemporary Linguistics: An Introduction, 4th ed. Bedford/St. Martins, 2001) Tonality (Chunking) The speaker does not necessarily have to follow the rule of an IP for each clause. There are many cases where different kinds of chunking are possible. For example, if a speaker wants to say We dont know who she is, it is possible to say the whole utterance as a single IP ( one intonation pattern): We dont know who she is. But it is also possible to divide the material up, in at least the following possible ways: We dont know | who she is. We | dont know who she is. We dont | know who she is. We | dont know | who she is. Thus the speaker may present the material as two, or three, pieces of information rather than a single piece. This is tonality (or chunking). (J. C. Wells, English Intonation: An Introduction. Cambridge University Press, 2006) The Position of Intonation Phrase Boundaries The position of intonation phrase boundaries shows a good amount of variability. These have been studied in English on the basis of positions of possible pauses within clauses (Selkirk 1984b, Taglicht 1998 and references there) and positions of obligatory pauses (Downing 1970). . . . The core result is that root clauses, and only these, are bounded by obligatory intonation phrase breaks. (Root clauses are clauses [CPs] not imbedded inside of a higher clause that has a subject and a predicate.) (Hubert Truckenbrodt, The Syntax-Phonology Interface. The Cambridge Handbook of Phonology, ed. by Paul de Lacy. Cambridge University Press, 2007)

Society Goes Pop essays

Society Goes Pop essays In the realm of the music industry, pop music reigns. It seems as if every week another pop star is born, and true music lovers observe these teenage sensations and ask what makes this guy or girl so much different from all the others? This is a question no one can really answer, because in the last decade or so there has been no difference. Pop music does not change. But this is where it gets interesting. Its not even about the music anymore. When listeners here pop music, they can automatically associate the genre with good looking teenage kids who may be able to carry out a note or two. This association sparks controversy. And controversy creates problems. Rarely do pop stars play instruments, and most are not very good vocalists. So, what does it take? What exactly does it take to become a pop star? It no longer matters if you have a good voice or any musical talent at all for that matter. In reality, you need no talent. If you have a bright smile and sex appeal, yo u are a potential pop star. Due to the medias superficial advertisement and lacking creativity of pop music, it cannot truly be appreciated let alone held on a pedestal above musicians trying to fulfill their dreams playing their own music and doing it well. American Idol. Everybodys eyes light up when they hear those words. Well allow me to share a personal account of the mayhem that this show became. I went over to my girlfriends house where her and her girlfriends were watching American Idol. Upon arrival, I stood at the front door, knocking for about fifteen minutes, and finally went around to the side and jumped up, banging on the window in order to break the trance this show had put on the group of girls. They did not even notice me knocking at the door which was directly next to the room they were all in. I walked in and no one even talked to me because they were so involved in thi...